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One more question - what is the rAgam this is sung in? Rajani - thank you so much for the clarification! Makes much more sense (and how, by the incorrect addtion of a single stroke, if you will - the mAtra for A instead of 'a' I got completely side tracked!). the women here include pArvati on his iDam (left) and gangA on his siram (head) the purpose of the juxtaposition is that a yOgan should be in the state of ascetic meditation, while naTamADum or naDamAdum is someone who is in a state of motion – the concept is that Siva combines the two opposite concepts – even as he is performs his cosmic dance, his mind is in a yOgic trance naDamADum can also mean one who is ambulatory AFAIK, vEdapuri has a dakshiNAmUrti svAmi temple (The lord of vEdapuri) who makes/creates (isaikkum) music (nAdam), as the women (nArI maNigaL) dance/sway (ADa), as vishNu (nAraNan) and brahma (biramanum) raise their hands (narkaram) above their heads (siram cUDa), as all (ellAm) the musical (gIta) demi-celestials (gandharvargaL) make (olikka) sweet music (kiLarisai) from their harps (yAzh), and our masters’ (endaiyar) hearts (uLLam) become rapturous (kutUhalikka) as they sing (pADi) paens (kavi), (, astride a bull, came on a procession). Kavi pADi endaiyar uLLam kutUgalikka (viDai mIdu…) GIta gandharvarellAm kiLarisai yAzh olikka The dancing (naTamADum) Siva yOgi (yOgan), the wise one (bOdhan) who is adorned (aNi) with snakes (nAgam), the one who is extolled (Ettum) and worshipped (paNindu) by sage agastya (kuDamuni), the blemishless (kOdilA) Siva (Siva nAthan) (astride a bull, came on a procession). KuDamuni paNindETTum kOdilA Siva nAthan (viDai mIdu…) The lord (nAthan) of vEdapuri, astride/sitting on top of (mIdu) a bull (viDai), came (vandAn) on a procession (bhavani)! ViDai mIdu bhavani vandAn vEdapuri nAthan
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